BERNICE VAN OVERBEEK | Denkend aan Holland (Thinking of Holland)
ARTIST | Bernice van Overbeek
BASED IN | The Netherlands
TITLE | Denkend aan Holland (Thinking of Holland)
SIZE | 335 x 135 x 30 (in mm)
This blue, white, black book is inspired by the Dutch Delft Blue pottery. The text is from of the most famous Dutch poems “Denkend aan Holland” (Thinking of Holland) which is about the Dutch landscape and the fight against water after the flood in 1953.
This book resonates with meaning for my mentoring journey. My personal goal for this mentoring journey was to grow as an artist; not only as a calligrapher who can write a text of beautiful hand, but an artist who can turn calligraphic work into art. As a structured perfectionist, it was a challenge to let go of my habit of detailed planning, and to begin creating in a holistic way using the new tools, scripts and techniques I have discovered on this journey. Gemma Black has been the best mentor for me in this process.
Faced with health challenges and struggling to recover from long Covid, I created this most personal, challenging and emotional piece.
MEDIUM | Arches Velin 160gsm, Saiboku Aya Ai (Indigo), Pelikan 4001 Blue Black, Micron fineliner, Dr. Ph. Martin’s Bleedproof White, Dr. Ph Martin’s Copperplate Gold, Speedball B nib, balsa wood, Brody pen, automatic pen, handmade paper (black), ananas paper
PRICE | Not for sale.
ARTIST | Bernice van Overbeek
BASED IN | The Netherlands
TITLE | Denkend aan Holland (Thinking of Holland)
SIZE | 335 x 135 x 30 (in mm)
This blue, white, black book is inspired by the Dutch Delft Blue pottery. The text is from of the most famous Dutch poems “Denkend aan Holland” (Thinking of Holland) which is about the Dutch landscape and the fight against water after the flood in 1953.
This book resonates with meaning for my mentoring journey. My personal goal for this mentoring journey was to grow as an artist; not only as a calligrapher who can write a text of beautiful hand, but an artist who can turn calligraphic work into art. As a structured perfectionist, it was a challenge to let go of my habit of detailed planning, and to begin creating in a holistic way using the new tools, scripts and techniques I have discovered on this journey. Gemma Black has been the best mentor for me in this process.
Faced with health challenges and struggling to recover from long Covid, I created this most personal, challenging and emotional piece.
MEDIUM | Arches Velin 160gsm, Saiboku Aya Ai (Indigo), Pelikan 4001 Blue Black, Micron fineliner, Dr. Ph. Martin’s Bleedproof White, Dr. Ph Martin’s Copperplate Gold, Speedball B nib, balsa wood, Brody pen, automatic pen, handmade paper (black), ananas paper
PRICE | Not for sale.
ARTIST | Bernice van Overbeek
BASED IN | The Netherlands
TITLE | Denkend aan Holland (Thinking of Holland)
SIZE | 335 x 135 x 30 (in mm)
This blue, white, black book is inspired by the Dutch Delft Blue pottery. The text is from of the most famous Dutch poems “Denkend aan Holland” (Thinking of Holland) which is about the Dutch landscape and the fight against water after the flood in 1953.
This book resonates with meaning for my mentoring journey. My personal goal for this mentoring journey was to grow as an artist; not only as a calligrapher who can write a text of beautiful hand, but an artist who can turn calligraphic work into art. As a structured perfectionist, it was a challenge to let go of my habit of detailed planning, and to begin creating in a holistic way using the new tools, scripts and techniques I have discovered on this journey. Gemma Black has been the best mentor for me in this process.
Faced with health challenges and struggling to recover from long Covid, I created this most personal, challenging and emotional piece.
MEDIUM | Arches Velin 160gsm, Saiboku Aya Ai (Indigo), Pelikan 4001 Blue Black, Micron fineliner, Dr. Ph. Martin’s Bleedproof White, Dr. Ph Martin’s Copperplate Gold, Speedball B nib, balsa wood, Brody pen, automatic pen, handmade paper (black), ananas paper
PRICE | Not for sale.
Details
About the artist
As a psychologist specialised in autism, Bernice worked in her own practice until she had to quit her daytime job in 2012 due to serious health issues. In search for a way to cope with chronic illness and pain, she became intrigued by some calligraphy work while scrolling through Instagram. She ordered a beginner calligraphy set and from that first moment, in May 2018 when she picked up a pointed pen, she instantly fell in love with this art. Starting with Copperplate, Bernice soon began trying different other scripts and tools, and a new passion was born. Calligraphy turned out to be life-changing. Being homebound, Bernice found new fulfilment in calligraphy during the day when the children were in school.
Bernice’s urge to constantly learn and grow in this art shows in the many courses she has taken, and the various scripts she has assiduously studied. When the Covid pandemic hit the world, learning from teachers all over the world became easily available, and turned out to be an amazing way to learn from home, at her own pace. Bernice soon discovered that this art is a life-long learning process!